Text by Shauna Potocky. Photographs courtesy of Jane Kim.
Artist Jane Kim’s hand crafted installation, “From So Simple a Beginning: Celebrating the Diversity and Evolution of Birds,” fills the largest wall of the Cornell Lab of Ornithology Visitor Center in Ithaca, New York. Also known as The Wall of Birds, it is a striking art and education exhibit, unprecedented in its scope and absolutely stunning to see and explore.
The extraordinary hand painted piece blends the realism of scientific illustration with the dramatic character of the birds it represents. Commissioned by Cornell Lab as a celebration of its centennial, the project features 270 species of birds. Each bird is painted to scale and the artwork brings 243 families as well as 27 ancestors and five recently extinct relatives, into focus. The work connects the evolution and diversity of birds while demonstrating their distribution world-wide.
This month, Jane Kim, creator of Ink Dwell, an art studio inspiring people to love and protect the natural world one work of art at a time, took a moment from her schedule to share some of the key highlights of the Cornell project—from its vision, content, and life size scale to Cornell Lab’s dedication and commitment to handcrafted artwork.
Through the commissioning of this one-of-a-kind project, Cornell demonstrated how much it values scientific illustration, the of blending art, science and engagement as a meaningful tool for education. In total, the project scope took two and half years to develop and complete, including 16 months of dedicated painting.
Shauna Potocky: This project is truly inspiring. What do you hope the project work conveys?
Jane Kim: The project is meant to convey the awe of how many birds there are in the world; it also demonstrates how remarkable it is that birds have diversified to such an extraordinary extent. To see two hundred families is remarkable, and they are life size, placed on a world map with relative scale, and viewable in one location.
SP: How can people see and experience the work?
JK: One of the best ways to see it is in person. Since it is featured inside the Cornell Lab Visitor Center, it can be viewed during normal visitor hours. In addition, Cornell is currently building a digital interactive that can be used to experience the wall and will be released in February 2016. The interactive includes high-resolution images of every inch of the wall! This will allow viewers to zoom in to see the images—you will be able to see every brush stroke. It will allow viewers to select a bird, learn about it, and hear its call. One of the great features is that Cornell has the largest collection of sounds in the world.
SP: What was one of the most exciting aspects of the project?
JK: It is unprecedented—completing a hand painted mural of all the birds–it was such a large project and took so much time. Researching, learning the subjects, developing the work and then painting it. Cornell truly demonstrated that they value hand crafted murals and value the time it would take to complete such a piece. From start to finish it took two and half years and required 16 months of on site painting. Now the piece is bringing art and education to people and engaging them.
SP: What was the most challenging aspect of the project?
JK: The balance of art and science because there was a high demand for scientific accuracy. It was working with a high bar for accuracy and creating a portrait that captured the spirit of the bird. In addition, painting it so it can be viewed from all distances and still be viewed beautifully. The work needed to read beautifully in the interactive and from far away.
SP: Were there any species of birds that captured you, that perhaps you had not known previously?
JK: I didn’t know each bird, so every bird was a surprise. I enjoyed discovering fun facts like the Saddle-bill Stork (Ephippiorhynchus senegalensis) with the only difference between male and female being the color of the eye. So I made it a female, with a yellow iris. I tried to depict females as much as I could, since males are often showier and represented.
The North Island Giant Moa (Dinornis novaezealandiae) female is also depicted because they are the bigger sex. There was a time when it was thought that they were two species—one being a subspecies because of the size differences. Testing showed that the birds were the same, males were smaller, females were larger.
Fun behaviors are also represented, such as the Long-tailed Manakin (Chiroxiphia linearis) with its fun little mating dance. There are also Gouldian Finches (Erythrura gouldiae), a set of three because they have three different head colors, yellow, black and red, but they are the same species.
SP: How do you hope this work touches people?
JK: I hope it is inspiring to see, and I hope it is statement that demonstrates how Cornell values hand painted creations that can be inspiring and useful tools for education. I hope it also inspires people to ask a lot of questions and sparks a new generation of scientific illustrators—we need that. I hope it allows others to think big, take the time and make the effort.
In many ways “From So Simple A Beginning” is a remarkable gift—it celebrates 100 years of Cornell Lab’s work and endeavors for birds, while providing an unparalleled learning opportunity through quality artwork that also celebrates the profound and quiet power of scientific illustration—a field that is rarely discussed yet touches so many of our lives.
With the recent completion of “From So Simple a Beginning,” Jane Kim already has new projects in the works, including the next addition to the Migrating Mural—so stay tuned as we wait to see what her next projects and remarkable artwork have to teach us.